martes, 1 de noviembre de 2011

Saturday, October 15, 2011


"The landscape as experiential and heartfelt, but without literary concessions or enmascaramientos that dulcifiquen it, is what we find in the work of Thomas Raja, exposed in Mecca." they are tormented in their origin by the human hand, and land tormented by erosion over the course of time that motivates him, which offer their granulated descarnamiento their rusty color, its lack of natural involved, but the truth of the desolation of which does not have an own language, that he was booted from his sky. "Thomas understands the hardness and tear, and so it tansmite: directly, with a dryness which seems almost excessive, as if the humidity had escaped from pigments and matter, supposedly a calcinador Sun action."

Pedro Alberto Cruz

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